In this issue:
Sarah McLachlan Sweeps Juno Awards
mvies
Re: Jim Infantino House Concert 3/22
Best Soundtrack, etc.
Music Oscars
New Gadfly releases: Graham Parker, Andy Breckman, Kukuruza
( Movie poll} New Categories
musician/actors
Movie Music
Re: Infringement
Re: Can't Help But Wonder...
March FolkWeb Announcements
Re: the Piano
Pete Nelson's Poll
FAME Review: Dana Cooper: Miracle Mile by Moshe Benarroch
Re: the piano
Movies, music, actors, etc
Re: Can't Help But Wonder
Re: Omega Institute
----------------------------------------------------------------------
Date: Mon, 23 Mar 1998 15:13:18 -0400
From: Alan Rowoth <alan@folkmusic.org>
Subject: Sarah McLachlan Sweeps Juno Awards
[Somebody sent me this.]
Sarah McLachlan Sweeps Juno Awards
Sarah McLachlan and her latest release, Surfacing, swept several major
categories at the 27th annual Juno Awards in Vancouver Sunday night. McLachlan
took trophies for Best Female Vocalist, Best Album for Surfacing, Best Single
for Building A Mystery and Songwriter of the Year, with her Mystery co-writer
Pierre
Marchand. "I've been doing this for 10 years and it's been a wonderful time
for me, a wonderful career. I haven't been an overnight sensation -- I've been
given the time to ease my way into it," McLachlan told reporters after the
show. "To come home and get these awards is really a big thrill for me. I
honestly kind of never expected to get them so it's really great."
Our Lady Peace took home two awards; Group of the Year and Rock Album of the
Year for Clumsy. The band was forced to cancel their performance at the
awards at the last moment when lead singer Raine Maida had to be hospitalized
for a back problem. Commenting on the cancellation, guitarist Mike Turner
said, "Obviously things are not as they should be. We're very disappointed we
won't be able to play tonight. We've been working really hard in the States
and this was a chance to come home, be among friends, our peers and play."
Shania Twain was honored with Best Country Female Vocalist honors, and Country
Male Vocalist honors went to Paul Brandt. Producer David Foster was inducted
into the Juno Hall of Fame at the ceremony, which featured performances by
McLachlan, Twain and Ron Sexsmith.
- --
============================================================================
Alan Rowoth |"Every time I hear people say it's never gonna change
alan@folkmusic.org | ...I think about you.
PO Box 307 | Like it's some kind of joke or some kind of game
Liverpool NY | ...I think about you.
13088-0307 | And when I see a woman on the news,
315.474.4800 | who didn't ask to be abandoned or abused
315.474.2766 fax | It doesn't matter who she is, I think about you."
www.folkmusic.org | - "I Think About You" Steve Seskin
------------------------------
Date: Mon, 23 Mar 1998 18:06:11 -0500 (EST)
From: "Hans Janssen" <hjanssen@mail.dotcom.fr>
Subject: mvies
Here are my votes for the movies.
1. Best movie about a musician or a band -- fiction
The Commitments
2. Best movie about a musician or a band -- non-fiction.
Coalminers daughter
3. Best soundtrack of all time.
Paris, Texas
4. Best performance by a musician playing a non-musician.
Levon Helm as Loretta's daddy in Coalminers daughter
5. Best performance by an actor/actress playing a musician.
here I have two candidates:
Michelle Pfeifer in the Fabulous Baker Brothers
Sissy Spacek in Coalminers daughter
6. Best song from a movie.
Coming around again - Carly Simon from Heartburn
met vriendelijke groeten,
Hans Janssen.
+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-
+-+-+-+-+-+-+-+-+-+-
See the pictures of the Beth Nielsen Chapman concert
at Paradiso in Amsterdam, Sunday march the 15th 1998
http://members.xoom.com/BNC/
+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-
+-+-+-+-+-+-+-+-+-+-
------------------------------
Date: Mon, 23 Mar 1998 18:06:32 -0500 (EST)
From: "D . Hokanson" <hokansod@goldey.gbc.edu>
Subject: Re: Jim Infantino House Concert 3/22
Last night I went to see Jim Infantino at a house concert in Sicklerville,
NJ. Folkus Productions who put on the house concerts does a great job with
them. I had attended my first ever house concert back in November 1997 --
with Karen Savoca and Pete Heitzman. Besides Karen and Pete, I knew
nobody there. But everyone made me and my friend feel comfortable. Karen
and Pete were great seeing them in such an intimate setting. We also made
some new friends in the process.
So last
night I went to see Jim Infantino. I had never seen Jim or heard his
stuff so I was going just on the good reputation of Folkus Prod. Jim was
really good. His music was funny (some serious songs) and very
interesting. I'll definintely go see Jim and/or Jim's Big Ego again.
Donna
------------------------------
Date: Mon, 23 Mar 1998 18:06:14 -0500 (EST)
From: BSCOTT1032 <BSCOTT1032@aol.com>
Subject: Best Soundtrack, etc.
Butch Cassidy & the Sundance Kid isn't our genre (don't start on what that
might be) but it holds up so well and absolutely supports the movie. Gotta be
best soundtrack
Movie theme song could be "A Man and a Woman" or "Shadow of Your Smile" from
the Sandpiper. Spinal Tap, Last Waltz and the Committments are great and for
a documentary, "High Lonesome, the Story of Bluegrass Music." The story goes
that Rachel Liebling went to a bluegrass festival, couldn't figure out the
diverse audience and began to research the music and the people. This
documentary (on Shanachie video) is an amazing, entertaining chunk of music
history. I especially like Flatt & Scruggs playing in the Haight Ashbury in
the height of hippiedom. Worth seeing, even if you aren't banjo-friendly.
Oscar who?
Barb
------------------------------
Date: Mon, 23 Mar 1998 18:06:24 -0500 (EST)
From: "Beasley, Brenda" <bbeasley.hsl@mhs.unc.edu>
Subject: Music Oscars
Very amusing stuff on THE PIANO, TITIANIC, et al. Brava!!
I'd vote for the soundtrack to SHADOWLANDS. And a close second to
original music in Branaugh's MUCH ADO ABOUT NOTHING.
- --Brenda Beasley
(forwarded from friend, Henry Koretzky)
>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<<<
BRENDA BEASLEY
HEALTH SCIENCES LIBRARY CB #7585
UNC-CHAPEL HILL
CHAPEL HILL, NC 27599-7585
>>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<<
bbeasley.hsl@mhs.unc.edu
(919) 962-0500
(919) 966-1029 (FAX)
------------------------------
Date: Mon, 23 Mar 1998 18:06:29 -0500 (EST)
From: Gadfly1 <Gadfly1@aol.com>
Subject: New Gadfly releases: Graham Parker, Andy Breckman, Kukuruza
Gadfly Records is proud to announce the following new (March 24th) releases...
Graham Parker
"Live Alone! Discovering Japan"
(Gadfly 238)
Available for the first time in North America -- this live acoustic set
recorded in the early '90s during a tour of Japan is the companion CD to GP's
"Live! Alone in America" (no duplicate cuts). The 14-song set includes
classic solo versions of songs spanning almost 20 years and also includes one
otherwise unreleased GP original and a cover of Billy Idol's "Sweet 16".
Track List:
1. That's What They All Say
2. Platinum Blonde
3. Mercury Poisoning
4. Sweet 16
5. No Woman No Cry
6. Lunatic Fringe
7. Long Stem Rose
8. Discovering Japan
9. Don't Ask Me Questions
10. Watch The Moon Come Down (Revisited)
11. Just Like Herman Hesse
12. Too Many Knots To Untangle
13. Chopsticks
14. Short Memories
Kukuruza "Endless Story"
(Gadfly 505)
Building on its rich history of 12 years of performances and six previous
releases, Kukuruza (the premier country/bluegrass group in Russia) unleashes
its most confident album to date with "Endless Story." Led by the evocative
vocals of
Irina Surina and the group's ace musicians on guitars, mandolin, harmonica,
fiddle, upright bass, and drums Kukuruza hits its stride on its new release,
blending Russian and American traditional songs along with originals and
contemporary English-language covers (from Leonard Cohen, Willie Nelson, and
Paul Anka).
Andy Breckman/Ken Freedman
"Death-Defying Radio Stunts"
(Gadfly 902)
"Death-Defying Radio Stunts" is an outrageous collection of excerpts from the
hilarious weekly radio show "7 Second Delay" hosted by comedy writer
extraordinaire Andy Breckman, his sidekick Ken Freedman, and full-time (?)
call screener Stork.
>From harassing toll booth collectors, to giving the listeners a radio IQ test,
to hiding a piece of matzoh somewhere in the state of New Jersey, WFMU's "7
Second Delay" delivers a weekly dose of call-in radio show insanity to the New
York/New Jersey area. This CD features segments of the show recorded over a
two-year period.
"7SD is Ken and Andy's modest little attempt at humor. It's Reaganite in
concept. Call it Trickle Down Mirth: You make a few people chuckle, they feel
good. Next day, they go 'round making others guffaw, thus sharing the comic
wealth. Of course, like an economic cycle, there are downturns, and on 7SD
it's not all laughs. One time Andy and Ken called a nursing home and made an
elderly lady cry on the air. "It was so poignant," insisted Breckman. "We
touched a nerve." Critics disagreed: "A new low," they sneered, "even for
WFMU.'"
- -- Irwin Chusid, from the liner notes
While these releases are available in stores on March 24th, they are also
available now direct from Gadfly Records for $15/CD (incl. post/ship) via
check, money order, or Visa/Mastercard to Gadfly Records, P.O. Box 5231,
Burlington, VT 05402 1-888-9GADFLY gadfly1@aol.com.
------------------------------
Date: Mon, 23 Mar 1998 18:06:23 -0500 (EST)
From: D Minich <minich@sowega.net>
Subject: ( Movie poll} New Categories
1. Best old-timey black and white schmaltz:
The Glen Miller Story
2. Best performance by a non-musician playing a musician in old-timey
black and white schmaltz
Jimmy Stewart as Glen Miller
>
> \\|//
> (o o)
>~~oOOo~(_)~oOOo~~K wuz H
------------------------------
Date: Mon, 23 Mar 1998 18:06:19 -0500 (EST)
From: Angela_J._Otte@fonddulac.k12.wi.us (Angela J. Otte)
Subject: musician/actors
Just my two cents for the Musican/Actor votes.
If you haven't seen it yet, I think a no brainer for the actor award
goes to I believe Dwight Yokam as the really big jerk in "Sling Blade". (I
think it was him...I know it was a country artist)
A great film in it's own right. He does a great job, and I didn't know it
was him until I saw the credits. I thought he was a Hollywood calibre
actor.
Check it out if you haven't seen it yet, or if you have, reconsider him
for the vote.
The rest are:
1. Best movie about a musician or a band -- fiction.
"The Committments"
2. Best movie about a musician or a band -- non-fiction.
"The Jazz Singer" (Neil Diamond)(sort of autobiographical wasn't it?)
3. Best soundtrack of all time.
either "Forrest Gump" or "The Big Chill"
4. Best performance by a musician playing a non-musician.
Dwight Yokam in "Sling Blade"
5. Best performance by an actor/actress playing a musician.
Val Kilmer in "The Doors"
6. Best song from a movie.
I think it's called "You belong to me" sung by Steve Martin and
Bernadette Peters in "The Jerk"
-Tom Otte OO==#
Fond du Lac WI.
------------------------------
Date: Mon, 23 Mar 1998 18:06:30 -0500 (EST)
From: Deborah Schaeffer <dschaef@calstatela.edu>
Subject: Movie Music
The two soundtracks that I still play on a regular basis are (drum roll)
"Merry Christmas, Mr. Lawrence" and "Das Boot". I would kill to find
"Barry Lyndon" on disk.
I was quite disappointed in the Academy nominations for scores. I
thought that the "Oscar and Lucinda" score was very moving and should
have been recognized.
Deborah
- --
Deborah L. Schaeffer
Access Services Librarian
Cal State Los Angeles
5151 State University Drive
Los Angeles, CA 90032-8300
(213) 343-3961 (voice); (213) 343-5600 (fax)
http://www.calstatela.edu/library/dschaef.htm
------------------------------
Date: Mon, 23 Mar 1998 18:06:27 -0500 (EST)
From: friedokra@blueridge.net (Randy and Wanda Lu Greene)
Subject: Re: Infringement
Can't help but wonder?
Since it doesn't appear that Tom or Bob is going to reply to this, let me
give it a shot. Traditionally, folk music is as much a composite of old
tunes as new.
If the formula works, most of us don't knock it. And it's not really a
copywrite issue unless it makes lots of money. Then some writers get upset
(like the George Harrison "My Sweet Lord" issue). Folk music just don't
bring in the big bucks so it's not likely anyone on this group has been
involved in such a suit.
And it's respectable to utilize those older tunes, almost a form of
honoring the writer. There are more examples out there. Just look in any
hymn book and you will find classical tunes with lyrics written long after
the composer passed away.
Folk music is more a vehicle for passing along our heritage of music, and
the lyrics are more incidental, more contemporary in that they can be made
more timely to suit current issues. This ain't no crime. It's a blessing.
I have personally ripped off the long dead Blind Boy Fuller. This form of
theft seems to be even more accepted in the blues world, where there are
just so many forms of blues to choose from, i.e.- delta, chicago, etc. with
variations on that theme. Nobody hollers "copywrite".
Fried Okra Music
PO Box 365
Mill Spring, NC 28756
http://www.blueridge.net/friedokra_music
------------------------------
Date: Mon, 23 Mar 1998 18:06:14 -0500 (EST)
From: Larry Hoyt <LarryHoyt@worldnet.att.net>
Subject: Re: Can't Help But Wonder...
I do not find the songs to be that similar.
The initial chord progression for "Blowin' In the Wind" is:
C F C - / C F C G/ C F C Am/ C F G -
The initial chord progression for "Can't Help But Wonder" is:
C - F Em Dm/ G - C - ://
One bonus from a posting like this is, it motivated me to get out my
copy of "Rise Up Singing" and go through some older familiar tunes.
Yours in folk-land, Larry Hoyt
jparry wrote:
>
> Hi Folkies:
> I have a question: After some talk with friends, we "discovered" that
> Dylan's 'Blowin' In The Wind' and Paxton's 'Can't Help But Wonder Where
> I'm Bound' have essentially the same melody. Can you, in your melodic
> analysis and wisdom, find any key differences between them that would
> keep the copyright people off their backs? And/or ... have either of them
> (Bob or Tom) mentioned anything about this similarity in concert or album
> notes, etc.?
>
> Thanks. I'm looking forward to responses.
> Jim Parry
------------------------------
Date: Mon, 23 Mar 1998 18:06:34 -0500 (EST)
From: matt@folkweb.com (Matthew Smith)
Subject: March FolkWeb Announcements
March FolkWeb Announcements
Hello folks!
Spring is upon us and we've got some new things brewing up on FolkWeb.
First of all...we'd like to welcome PrimeCD to our on-line catalog!
PrimeCD carries such artists as:
Margo Hennebach
Susan McKeown and the Chanting House
Popa Chubby
Hugh Blumenfeld
5 Chinese Brothers
Mindy Jostyn
Aztec Two-Step
Annie Gallup
Jack Hardy
as well as a couple of great compilations:
Live At The Postcrypt
Big League Babe - The Christine Lavin Tribute Album
We've also added on some great new titles from:
Devonsquare
Artisan
Brent Mason
Maria Sangiolo
And don't forget to check out theses fast-moving titles:
Kevin So - Individual
Michelle Nagy - Art Museum
Harrod & Funck - Harrod & Funck
Pointer - Scarecrows Burn
On deck in the next few weeks, we'll have CDs up by:
Cosy Sheridan
Adrianne
Faith Soloway
Chris & Merideth Thompson
Wende Allyn
Sara Wheeler
Peter Lamson
Karl Conrad
Thanks for stopping by and thanks to everyone who took a part in and
came to see our Memphis Folk Alliance showcases!
Matthew Smith
Folkweb Music Director
matt@folkweb.com
Remember....
Recording Submissions to FolkWeb may be sent to:
FolkWeb
PO Box 390889
Cambridge, MA 02139
------------------------------
Date: Mon, 23 Mar 1998 18:06:34 -0500 (EST)
From: CannonFolk <CannonFolk@aol.com>
Subject: Re: the Piano
enjoying this thread.........adding a vote for musician playing a non-
musician:
David Bowie as Andy Warhol in "Basquiat"
Jeff Cannon
Bloomington, IN
------------------------------
Date: Mon, 23 Mar 1998 18:06:08 -0500 (EST)
From: Chuck Hall <mrchuckhall@bigfoot.com>
Subject: Pete Nelson's Poll
Hi Folks-
Good poll questions from Pete.
1. Best movie about a musician or a band-fiction.
I like Edie's choice of "The Commitments".
2. Best movie about a musician or a band-non-fiction
Last year there was a gem of movie called "Brassed Off". It featured the
music of
a brass band made up of colliery workers in Maggie Thatcher's England.
Great movie,
I thought.
3. Best soundtrack of all time.
A truly subjective choice here, but the soundtrack to Trevor Nunn's
"Twelfth Night" is sublime. There are several traditional English pieces
from which much of the rest of the film's score is drawn.
4. Best performance by a musician playing a non-musician.
Kristofferson in "Lone Star" comes to mind. Pretty good soundtrack, too.
(Mason Daring.)
5. Best performance by an actor/actress playing a musician.
I don't know if the intent here was that a PARTICULAR musician was being
portrayed. If so, Steve Allen as Benny Goodman was pretty hot. So was Diana
Ross as Billie Holliday. If not, Ben Kingsley as the minstrel in "Twelfth
Night" was teriffic. Turns out he can sing a little as well as act.
Hey, this was kind if fun!
Chuck Hall
Gloucester, Masachusetts
------------------------------
Date: Mon, 23 Mar 1998 18:17:02 -0500 (EST)
From: "David N. Pyles" <dnpyles@acousticmusic.com>
Subject: FAME Review: Dana Cooper: Miracle Mile by Moshe Benarroch
The following review has been posted on the Folk & Acoustic Music
Exchange at http://www.acousticmusic.com/frames/fame.htm
Miracle Mile
Dana Cooper
(Compass 742442)
Compass Records
117 30th Avenue South
Nashville, TN 37206
http://www.compassrecords.com
email: info@compassrecords.com
A review written for the Folk & Acoustic Music Exchange
by Moshe Benarroch (moben@internet-ahav.net)
While into the second song in this CD, my wife went into the
room, wearing one of those strange looks that makes me wonder
what am I doing in this house, and asked: "What happened to you?
are you again listening to the sixties?" "Thanks," I said,
"That's it, it is the sixties!" If Dana Cooper was born in 1945,
he would have been putting hits into the charts between 1962 and
1967 without any problems. He sounds like the Monkees, The
Tremeloes, The Byrds, and you name it, any of those groups. His
words are also as catching as the ones they sung and many of them
are in the vein of "Power To the People."
In "Soul Hesitation" the chorus,
"Zero Time remaining
For a Soul Hesitation"
is repeated again and again like a mantra trying to make you
leave the room and join Greenpeace.
"In My Living Room" is a touching song about the Beatles coming
to Kansas when the narrator was a small child, too small he
couldn't go see them. So, with the help of his imagination he
settles for a home performance:
"I sang John's part, Paul's part, George's too,
Ringo drummed us on
The Beatles played in my living room."
I guess, in this generation, we all did that and played guitar
with a tennis racket.
Cooper started recording in a folk-rock band back in the
seventies, and then went for a heavy rock band, DC3 (in the
early eighties), and made two records with them. Following that,
he went solo acoustic and made some independently released
cassettes. As a solo artist Cooper has been named "Best
Songwriter in Houston" and has also been nominated for the
Kerrville Folk Festival's "Male Vocalist of the Year Award." This
is his first Compass CD and his first nationally distributed CD.
He shows he is a very good songwriter with a good voice,
something between Dan Fogleberg and Jimmy Lafave, but is unique.
I think that a good singer songwriter puts his songs before the
performance, and this is the weakness of this CD: there are too
many instruments here, way too many, and it seems they are almost
hiding the song from you. It really left me with the curiosity to
hear his indie tapes. I hope that Compass has plans to put them
on CD.
If you like your singer songwriters full of energy and are tired
of vocals and guitars, or if you want flying electric guitars,
lots of drums, the sound of breaking glass, and just a few quiet
songs in the middle, Miracle Mile is as good as they come, even
one of the best.
The songs here were written between 1990 and 1997, so some of
them are probably new versions of old songs.
Song list: 1.Standing In My Own Way 2.Soul Hesitation 3.In My
Living Room 4.Miracle Mile 5.Out Of My Misery 6.Walkin' Waste Of
Time 7.My Life In A Box 8.Somethin's Gotta Give 9.I Had That
Comin' 10.Too Deep A Sorrow 11.Sleep Of The Innocent
playing time: 46 min.
Edited by: Paula Gregorowicz [paulag@enter.net]
Copyright, 1997, Peterborough Folk Music Society. This review
may be reprinted with prior permission and attribution.
If you enjoyed this review, check out the more than 350 other
reviews posted at the Folk & Acoustic Music Exchange.
David N. Pyles | (512) 929-3840
Music Alive! | dnpyles@acousticmusic.com
2716 Sweeney Lane | http://www.acousticmusic.com/frames/
Austin, TX 78723 | http://www.acousticmusic.com/frames/fame.htm
__________________________________________________________________
------------------------------
Date: Mon, 23 Mar 1998 19:21:10 -0500 (EST)
From: bnash@nbserv1.dseg.ti.com (Bill Nash)
Subject: Re: the piano
> From: PeteNlson <PeteNlson@aol.com> wrote:
<snip>
> And about Titanic --- did anybody besides me wonder why the bass player
>didn't
> plug the F holes in his bass and survive by using it as a flotation device?
>
> And in Clint Eastwood's movie "Bird," how come every time Charlie Parker did
> heroin, it was raining?
>
> And how is it that movies portray musicians as talented but almost never show
> them practicing?
<snip>
They never show them peeing either, but I bet they do!
Sorry, I just had to ;^)
Bill
- --
+---------------------------------------------------------------------
| Bill Nash http://members.aol.com/muzition/index.html
| Music Lover home email: Muzition@aol.com
|
| "Some modern films are really My CDs "Mostly True Stories" and
| worth seeing, though when I new release "Runs With Scissors"
| first knew moving pictures, are available through:
| their only value was to destroy Putsie Cat Records
| time." P.O. Box 702711
| -- H.P. Lovecraft (1915) Dallas, TX. 75370
+---------------------------------------------------------------------
[Alan sez: Except in Liz Taylors 1954 film "Rhapsody" where practically all
the male lead of the film does is rehearse...]
------------------------------
Date: Tue, 24 Mar 1998 00:18:25 -0400
From: Alan Rowoth <alan@folkmusic.org>
Subject: Movies, music, actors, etc
Great poll idea Pete! Here are my random thoughts:
1. Best movie about a musician or a band -- fiction
"Spinal Tap"
It's so ridiculous and yet so frighteningly true. I laughed until I cried.
2. Best movie about a musician or a band -- non-fiction
"The Buddy Holly Story" Probably not the best, but my favorite.
("Woodstock" IMHO is a better event documentary than "Monterey Pop",
"Altamont", or even the excellent "Last Waltz")
3. Best soundtrack of all time.
No contest. "One From the Heart" Tom Waits with Crystal Gayle for Francis
Ford Coppola's underrated 1982 masterpiece
also great
"Woodstock" (1970) (hey, it's the music of a generation...)
"The King of Comedy" (1983) (Pretenders, BB King, Rickie Lee Jones, Van
Morrison, Bob James, & others)
"FM" (1978) (Boston, Buffet, Doobies, Eagles, Fogelberg, Joel, Petty,
Rondstadt, Boz Scaggs, Steely Dan, Bob Seger, etc.)
"The Big Chill" (1983) The definitive feel good album that established Baby
Boomers as old fogeys.
"Until the end of the world" (1991) (Jane Siberry, Costello, Talking heads,
Lou Reed, REM, KD Lang, and more)
I might have voted for "Seconds" (1966), but the Jerry Goldsmith soundtrack
was never released. I heard a rumour that someone was working on a remake
of this film, email me privately if you know anything about that.
4. Best performance by a musician playing a non-musician.
Does Frank Sinatra count? In "The Joker is Wild" or maybe even "The
Manchurian Candidate" He made so many great movies.
5. Best performance by an actor/actress playing a musician.
Gary Busey in "The Buddy Holly Story"
6. Best song from a movie.
Is this a trick question? There are *so* many. Just a few of my favorites
include:
"One From the Heart" Tom Waits and Crystal Gayle (One From the Heart)
"Up Where We Belong" Joe Cocker and Jennifer Warnes (Officer and a Gentleman)
"It Goes like it Goes" Jennifer Warnes (Norma Rae)
"I've had the Time of my Life" Bill Medley and [surprise] Jennifer Warnes
(Dirty Dancing)
"The Wind Beneath my Wings" Bette Midler (Beaches)
"All The Way" Frank Sinatra (The Joker is Wild)
"When You Wish Upon A Star" Cliff Edwards (Pinnochio)
"Over The Rainbow" Judy Garland (The Wizard of Oz)
"For All We Know" The Carpenters (Lovers and Other Strangers)
"The Shadow of your Smile" Johnny Mandel (The Sandpiper)
"The Days of Wine and Roses" Frank Sinatra (Days of Wine and Roses)
7. Best old-timey black and white schmaltz
Don't *even* get me started, I live for black and white...
This week I'd probably say "Without Love"
(stars Spencer Tracy, Katherine Hepburn, Lucille Ball, Keenan Wynn & more)
8. Best performance by a non-musician playing a musician in old-timey
black and white schmaltz
Steve Allen in "The Benny Goodman Story"
**** My categories ****
9. Worst performance by a Musician pretending to be an actor
Elvis Presley in almost anything, but especially "Change of Habit"
10. Best performance by a dancer who wound up acting too
Fred Astaire in "Funny Face"
10. Best performance by a former olympic swimmer in a motion picture
(tie) Esther Williams in "Dangerous When Wet", "Skirts Ahoy!" or "On an
Island with You" (it's all pretty much the same thing...)
Johnny Weissmuller in "Tarzan the Ape Man" or one of its eleven sequels!
cheers,
Alan
============================================================================
Alan Rowoth | "Used to be, only god could tell the future |
Liverpool Public Library | Used to be, |
310 Tulip Street | Photographs only came in black and white |
Liverpool, NY 13088-4997 | Used to be, every girl was like her mother. |
315.457.310 ext 251 | It used to be simple alright... |
alan@folkmusic.org | - Patty Larkin "Used To Be" |
------------------------------
Date: Tue, 24 Mar 1998 00:23:40 -0500 (EST)
From: Rod MacD <RodMacD@aol.com>
Subject: Re: Can't Help But Wonder
whoever wrote
<<we "discovered" that
Dylan's 'Blowin' In The Wind' and Paxton's 'Can't Help But Wonder Where
I'm Bound' have essentially the same melody.>>
has it wrong, they don't have the same melody. If you play them both in the
key of C, "Blowin'" starts GGGAAAGEC over the chord pattern CCFFCCCC (strummed
as single beats). "Wonder" starts GGGAG, FFEED over chords CCCCFCDmDm...
similarly, the tag lines--which both repeat---go FFED, DEEEDC,
FFFEDDCBC for
Blowin', for "Wonder" they are FFFEEDDC, BBA, FFFEEDDC.
------------------------------
Date: Tue, 24 Mar 1998 00:23:37 -0500 (EST)
From: JCurtis385 <JCurtis385@aol.com>
Subject: Re: Omega Institute
Bernice's post, below, is very interesting. How can I find out more about the
Omega Institute? Is there a web site? Where can I pick up the catalog she
refers to?
Thanks,
Jayme Curtis
[Alan sez: Good point. The Web page is located at http://omega-inst.org/,
and you can phone them at 1-800-944-1001]
------------------------------
End of FOLK_MUSIC digest V1 #2345
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